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20-Nov-10 | NastyM
you dirty fucker love the sound ..... how does youre bass kick work so well? struggling to comment as too much to like ..... bass kick is tremendous but other sounds marimba/xylo cuts in beautifully ..every component is pitched superbly and defines itself apart...audial masturbation me thinks!!!! absolute mixing (we is on knees...)
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21-Nov-10 | Mortimer
Nasty nasty! Filter and massage heavily
// Return RC low-pass filter output samples, given input samples,
// time interval dt, and time constant RC
function lowpass(real[0..n] x, real dt, real RC)
var real[0..n] y
var real α := dt / (RC dt)
y[0] := x[0]
for i from 1 to n
y[i] := α * x[i] (1-α) * y[i-1]
return y
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24-Nov-10 | Mortimer
12db cut on any audio frequency (AF), either cuts it completely or more often makes it very subtle and clean.
In other words - standard 12db cut during first attempts when removing undesirable AF.
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29-Oct-23 |
drumrobot |
(unregistered user)
That song never made a dime. None of my music ever made any money for me. All the source files are gone now. I kept notes and documented everything. Everything's gone.
Anyways. The kick never sounded right to me. Each song was the best I could do with what I had, in an hour or two. Everyday I started a new song. Alas, I thought Earmark might get me a record contract. The song was the very definition of the word, earmarked to sell my ability.
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